Identity Mediations in Latin American Cinema and Beyond : Culture, Music and Transnational Discourses

SUMARIO /// The creation of Imperio Argentina as film star; Vicente J. Benet / The musical representation of Latin America in Hollywood's first sound films (1927-1932); Juan Carlos Poveda / Intercambios musicales entre Argentina y México: el tango y el bolero como fuentes para la difusión de los cines nacionales; Silvana Flores / O início do cinema sonoro no Brasil e os (en)cantos da língua; Carlos Roberto de Souza e Suzana Reck Miranda / Seeing Mexican Music in ¡Así es mi tierra!; Carlos Belmonte / From The Jazz Singer to La La Land and some others in between; Kathryn Kalinak / Aportaciones musicales de Chucho Monge al nacionalismo mexicano (1934-2014); Eduardo de la Vega Alfaro / El folclor musical veracruzano en el cine mexicano de los años treinta; Rosario Vidal Bonifaz / Music for fiction films during the Spanish Civil War (1936-1939): identity functions of the soundtrack; Lidia López Gómez / Shaping the collective imaginary? Writing about cinema and music in the journal Ritmo during the first years of Francoism; Alberto Caparrós Álvarez / Drag performance in recent Latin American documentary: uses of voice and musical flows; Agostina Invernizzi and Ezequiel Lozano / Baroque, 1989: construction and recognition of the Latin American cultural identity in experimental and musical cinema; Fernando David Maldonado Parrales /
La redención como tópico en films sobre rap y break dance y su apropriación en Argentina: sentidos de una práctica e identidades culturales; Ana Sabrina Mora / The soundtrack and construction of a Brazilian pathwork identity in the film Macunaíma; Edson Zampronha / Cinema and Tango (1990-2010): representations, market and politics; Marisa Iris Alonso / The musicality and theatrical referential of the Maias by Eça de Queiroz in the filmic narrative of Joao Botelho-Portuguese cultural identity; Filomena Antunes Sobral / Under-use of Japanese music for Japanese characterization in Western cinema; Juan Urdániz Escolano / Space configuration in Yasujiro Ozu's cinema: the off-screen and the non-seen in late spring, early summer and Tokyo story; Susana Palés / Commemorative cinema in the USSR: shaping Soviet identity; Mikel Bueno Urritzelki y Elorri Arcocha Mendinueta.