Film Music 2 : History, Theory, Practice

SUMARIO // Foreword; Christopher Young // Introduction; Claudia Gorbman // Musical Texture as Cinematic Signifier: The Politics of Polyphony in Selected Documentary Film Scores by Virgil Thomson and Aaron Copland; Neil Lerner / Deception's Great Music: A Cultural Analysis; Peter Franklin / Jay Livingston and Ray Evans: An Interview; Arthur Hamilton / Works of Distinction: The Functional Music of Gail Kubik; Alfred W. Cochran / Paul Beaver: Analog Synthesist Extraordinaire; Warren M. Sherk / Linking the Film and Music Industries: Cross-Promotion, the Soundtrack Album, and the Case of United Artists; Jeff Smith / The Opera Films of Daniel Toscan du Plantier; Michel Chion / Sense and Sensibility: Musical Form and Drama in the Film Adaptation; Robynn J. Stilwell / Film Music on the Internet: The Origin and Assessment of FILMUS-L; H. Stephen Wright / Teaching Film Music in a Liberal Arts Curriculum; Michael V. Pisani.